Wednesday, March 22, 2017

Ghost in the Shell preview

The opening four-and-a-half minutes of the upcoming Ghost in the Shell live-action movie was released on Twitter today, and… I'm not particularly impressed.

First, the good stuff: it looks pretty nice, if less grimy than the source material, and there are some great designs - the robo-spider geisha is incredible.

The rest feels very wide of the mark.

Broadly speaking, this clip follows a similar template to the first scene of Mamoru Oshii's 1995 anime film: the Major drops off a roof and engages is a brief firefight through a window. But the anime's opening four minutes set up a lot of stuff for the rest of the movie. the opening shot pans through layers of data illustrating wordlessly the extent to which everything is connected to the network; we're given hints of the rivalry between Public Security Sections 6 and 9; they namedrop Project 2501, the ultimate antagonist of the film; the surgical (and lethal) tactics of Section 9 get demonstrated; and while we're only really introduced to the Major there's also dialogue with Batou and Togusa that sketches out their working relationships.

By comparison, the live-action scene doesn't even seem to have a reason for the Major to be on that rooftop (one of a few things that leads me to believe that this isn't actually the very first scene in the film). While she begins the clip by announcing, "I'm on site," the presence of surveillance equipment seems to surprise her, and she's even unaware of who in the building might be the target. Where the live-action film has her responding to an unforeseen event, the anime makes the Major herself the event - which may seem like a small change, but moving them from active to reactive participants fundamentally alters the audience's perception of both Kusanagi and Section 9.

The relatively bloodless gunfight in the live-action film may be more visually inventive than its anime counterpart, but the number of cuts before the Major comes through the window - followed immediately by slow-motion wallrunning and a ponderous examination of the scene - makes the scene feel much longer.

Maybe the most surprising thing is the decision not to rip off maybe the most iconic shot of the anime's opening sequence: the first demonstration of the Major's thermoptic camouflage. On the one hand they've already lifted quite a lot of the original's key moments, but to draw the line at this feels weirdly restrained.

Everything I've seen of the live-action Ghost in the Shell puts me off it - the most egregious marketing error is the decision to use a san-serif font on the logo - but somehow I'm intrigued to see the final product, no matter how much I can already tell it's going to infuriate me.

Friday, March 17, 2017

Iron Fist

I cannot quite believe how big of a train wreck Iron Fist is.

Character motivations seem entirely fluid, changing scene to scene and even line to line. As if the white-man-as-martial-arts-messiah stuff wasn't bad enough, he listens exclusively to hiphop for some bonus cultural appropriation. The first episode might as well be called "Finn Jones harasses women". More scenes seem to take place in boring office space than Daredevil, which is set in a law firm. Its portrayal of mental healthcare is only slightly less enlightened than Terminator 2. I can't comment on the plot much yet because I'm only three episodes in but so far it's a garbage fire.

I want to like Colleen Wing more than I actually do. Hopefully she does something soon other than put up with Danny Rand's awful flirting and condescension. Never seen a sparring match as negging before, so that's new I guess?

But I'm determined to stick with it to the end. All the Marvel Netflix shows go to shit in the back half and I'm fascinated to see how much further off the rails this train can go.